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FanimeCon 2017 June 2, 2017

Posted by coolmikeol in Events, Otaku.
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This year’s FanimeCon took place May 26th – 29th at the San Jose McEnery Convention Center. FanimeCon is an anime convention “by fans, for fans”. I’ve been attending this anime convention since 2011, and I do intend to attend it annually as long as I’m able to, as it is one of my favorite cons around.

For all of my photos taken at the con, please check out my Flickr set FanimeCon 2017

Day 1 – May 26th

My first day started with me waking up at around 7am, a time I’ve been used to waking up to recently with the return of my seasonal retail work. I aimed to get to the con by 10am, and since it takes about an hour to drive down to San Jose I needed to leave the city no later than 9am. Because I also wanted to pick up a breakfast burrito at my local Safeway, that meant that I needed to leave my house earlier than that, at about 8:30am. I ate some of the burrito before starting the drive down, and I got to say it wasn’t as good as it should of been. It was dry with the filling far in between. Alright enough about breakfast, let’s go to the con.

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I got to Fanime at around 10am, and proceeded to first pick up my badge. I was wondering how the lines were going to be this morning based on the pictures and video from Day 0 yesterday of the lines and such. I did hear later that the lines didn’t last long after registration opened, and low and behold upon walking into the convention center, there was no lines to see. The process was quick and efficient; I walked into the pre-reg area where they have multiple tables of laptops setup each with a barcode/QR scanner. You scan your E-mailed QR code to check in and your badge immediately prints out on a card and is given to you by a staff member. You are then pointed toward a table next to the exit where you can pick up a FanimeCon plastic bag with a program and lanyard. All of this took no time at all and it goes to show that issues that were problematic before can be fixed in a fantastic way. Now if only if Anime Expo could have a reg as fast as this…. (I know that it’s much more massive of a con than Fanime, but one can dream.)

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As usual, my next event I was planning to head to was Opening Ceremonies, however that was more than 3 1/2 hours away at 2pm. I decided it was a good time to get acquainted with the whole con area in the meanwhile. Because things don’t change that much layout wise year to year, it didn’t take much to find out and see what was where this year. Most of where I was planning to be was all in close proximity, literally spinning in circles.

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Opening Ceremonies started on time and kicked off the Fanime weekend by introducing the guests of honor, Black and White Ball, and Fanimaid.

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After the ceremony concluded, I checked out the Dealer’s Hall. Besides the usual vendors of anime merchandise, towards the back corner were some food vendors. We had Hirotoko Co., a Takoyaki stand; JT Express, known for their Sushi Burritos and Spam Musubi; Super Cue, a Boba Tea place; and Psycho Donuts, a local specialty donuts shop know for their unique bakery bites.

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For the rest of the afternoon, I took photos of whatever looked interesting. My criteria and priority for cosplay shots are usually ones that I have not generally shot before, especially unique ones. Meme cosplay are a particular one I definitely go out of my to shoot because they tend to be easier to shoot because people tend to gravitate towards high quality cosplay which makes those cosplayers harder to deal with in my opinion.

I left the con by 8:30pm to get home and rest for the next day, knowing that it will be much more busier than today.

Day 2 – May 27th

Day 2 started similarly to Day 1, getting up fairly early to plan to get to the con by 10am. Had to stop by a Costco Gas Station on the way to refuel though, cheapest gas you’ll ever find around here.

I planned to check out three scheduled events today: The NieR:Automata cosplay gathering at 3pm, MusicFest at 7pm, and The Best of the Angry Video Game Nerd video screening at 10:00pm. Between the times I was just wandering around and taking pictures.

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I ended up not going to the NieR gathering, partly because it was in an area that tends to get hot and is a bit out of the way, but more so because I got lazy to go. As for MusicFest, I already knew that based on experience, there was no need to line up for it prior to the venue’s opening and just wait it out. Even though the line stretched almost around the entire block, when I got into the City National Civic it wasn’t remotely full at all. I didn’t stay for long though, as all I wanted from coming here was photo ops. I would of stayed for part of the performance at least had they not banned the use of professional grade cameras; they only allowed use of cell phone cameras. I got this one shot of the stage right before an usher told me I couldn’t use it, that’s when I left shortly after.

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I went out to shoot some more as the daylight dimmed. I had a great opportunity during this time to photograph a D.Va cosplayer in the most amazingly built D.Va mech prop, complete with lights all over. I heard from the creator of the suit that he will bring it to BlizzCon and retire it afterwards.

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I went to the AVGN screening after 10pm, but left earlier than planned at around 11:30pm to avoid a second parking charge after midnight. Once I got home I didn’t do much before going to sleep.

Day 3 – May 28th

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I got to the Fanime area quite early on Day 3, parking at a different parking garage than the last two days because I could get free parking by validation if I eat at the local diner Peggy Sue’s and park in the adjacent parking structure. Today I planned to go to the Overwatch cosplay gathering at 12PM (High Noon), which I knew was going to be a big one based on the fact that Overwatch cosplay dominated this year’s cosplayers because of it being the first full year of the game being out.

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The Overwatch gathering was massive, being the biggest cosplay gathering out of all of them this year at FanimeCon. It was hard to get any good shots of the cosplayers without having someone blocking my view with either their head or camera. For the most part I just shot what I could, trying to either focus shots on the interesting/unique or doing piece by piece panoramic photos. The D.Va mech from yesterday didn’t make an appearance, but it was understandable with how crazy the crowds were. Time was also limited for the gathering which made it hard to give all the OW cosplayers a photo op. There was a great Reinhardt Wujing (Chinese Lunar New Year skin) cosplay that didn’t get the limelight it deserved, probably due to time constraints. I was able to move up to the front towards the end of the gathering, so I got some better shots then.

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After sticking around the con for photos and watching some anime in the viewing rooms, I left fairly early at about 7:30pm, as things were wrapping down for the night. This would give me more time to work on some Fanime stuff at home and rest up as well for the final day ahead.

Day 4 – May 29th

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On this last day of the con, a couple of my friends planned to tag along. Not to go to the con but rather enjoy the museums and other sights around the downtown San Jose area. We met up at around 9:30am, stopped by Safeway to grab some food (not me though), and left to try and arrive at Fanime by 11am.

That was the plan, but on the way there I was driving quite fast to get the attention of the CHP (California Highway Patrol). I got myself my first speeding ticket, and I wasn’t even listening to the Eurobeat music I had just recently added to my iPod Touch….

We got to the Fanime area just before 11:30am, and me and friends split from there. I walked around a bit with the recent event in mind. I wasn’t really scared or nervous about it, but I can’t say it didn’t weigh on my mind either. I told myself that this was a learning experience for me and that I’ll get through it one way or another. I just wish that it didn’t happen on the one day I had others with me in the car, how embarrassing.

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Day 4 was more or less quite dead compared to the previous days, but in hindsight that’s how it always is. For the majority of the time I just tried to relax at the anime viewing rooms, while coming out every so often to see what was going on in the cosplay scene. I was planning to stay until Closing Ceremonies at 3pm, so I had a few hours to kill just cycling around the front area of the convention center. At 2:30pm I decided to see if the line was forming for Closing Ceremony and it was. Once 3pm came and past a bit, one of the people in line ahead of me starting complaining about it not starting yet, with the person next to me mentioning how Fanime Closing Ceremonies never start on time, which is somewhat true but never hurt my experience of it. It wasn’t too long until we were finally allowed to enter the room and sit. By 3:20pm the ceremony started, where guests of honor who were still around talked about their experience of this year’s con and were presented with a special shiny poster version of the Fanime front program artwork. Fanime also announced the theme for next year’s con: “Gaming”, as well as the first guest of honor for FanimeCon 2018: Caitlin Glass.

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At 4pm I met up with my friends at my car and we left the convention center to try out a sushi place called Kula Revolving Sushi Bar in nearby Cupertino. The wait was quite long, over an hour for us to get a seat. One of the cool things I have not seen a restaurant do that this place did was how you sign in for a wait time. There’s a tablet near the front door where you put your name and cell phone number. You get a text that sends you a link that tells you in real time approximate waiting time and how many parties are ahead of you. As there’s a mall nearby, you could go walking around there or wait in your car instead of waiting around the front door of the place if you wanted to. We decided just to sit nearby as many others were and we were thinking the wait could be shorter than what was estimated (48 min).

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Kula Sushi is similar to your other sushi boat places, but there’s a few things that made this place unique for me. First was that besides your usual sushi conveyor belt system, there was a second separate belt that was used for bringing separate orders made on a touch screen to specific customers. On the touch screen you could order stuff that also is part of the sushi conveyor belt if you wanted it fresh or if you had a hard time getting them from the regular belt because it was always empty. There was also exclusive menu items on their as well that were not part of the regular like ramen and desserts. The food was really good, though I’m not sure if being hungry from the con made it taste better? Either way, I enjoyed all the food there. Another thing that seems unique to this place was that there is a slot to put your empty plates. The screen would count how many plates, and every 15 would get you a prize from a gachapon machine directly above and behind the screen. We had at least 30 plates, so we got a couple prizes like stickers and a ramen keychain that attached to your phone via headphone jack.

After an enjoyable lunch/dinner, we headed back home. I dropped off my friends at their houses and got home by around 7:30pm.

FanimeCon this year was more or less enjoyable. Most of my plans went as expected. I did feel that this year was a little underwhelming, but that’s probably because there hasn’t been an anime that recently defined the fandom. Just like how in previous years you would find tons of either SAO or AOT cosplay, this year was more or less defined by Overwatch, and it’s not even an anime. Maybe that’s why Fanime decided next year’s theme to be gaming based on the rise in popularity in cosplay from said genre.

During my drive back home on Day 3, I became inspired to strive to better myself in terms of photography. One thing that has stayed the same for the past several years was how I did my photography. It was quite basic, and while I do not think of myself as a cosplay photographer, I’d like to be able to do many forms of photography in a skilled way. I’m never fully satisfied with my photos, and I think that is a good thing. It keeps me from going into a comfort zone, keeps me on my feet, to keep moving forward and want to try new things. Besides improving my skills, my camera equipment also needs tuning up and upgrading. I’m noticing dust on my DSLR’s camera sensor, and I have never done major maintenance on it since I got the camera years ago. Lighting is another issue I need to address, as it can make or break a shot. I’m always at the mercy of natural lighting, and I’ll never depend on the built in flash on my camera as it gives the worst results. That’s why I’m noticing much more people bringing in their light stands and umbrellas at cons like these. Fanime has the benefit of having very nice natural lighting at the major areas near and in the front of the con center, but that’s also a limitation as many people tend to flock there as well, making it hard to take shots, especially if it looks like another pro photographer is set up there. I’m going to probably look into camera flash systems and get myself some reflectors as well. I’ll set myself up to improve my photography for next year’s FanimeCon.

Your Name – Review April 11, 2017

Posted by coolmikeol in Anime, Otaku.
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Kimi no Na wa.

(Your Name.)

Remember, this review assume that you have watched the movie, which means SPOILERS will be imminent. You have been warned.

Talking about spoilers, I’m glad I stayed away from them for this movie. I already knew about the body swapping aspect, but the fate of Itomori was something I never saw or heard of prior to watching, nor expected.

So before I review the movie, I want to mention some things beforehand. First of all I watched this movie in a theater English subbed. (Just got back and immediately got to work on writing this up while listening to music from the movie, was thinking all about it during my 15 minute drive back home.)  This was my first time watching an anime movie in theaters, though the atmosphere is somewhat similar to when I’m watching anime at cons in viewing rooms. I decided to watch it at the theaters as I’ve been hearing rave reviews about it, and it was only going to be in theaters for a couple more days. I arrived fairly early for the movie, as much as half hour early for the film. There was only one other person in the room at the time, so seating was no problem. I already ate before I got to the theater so that I didn’t need to buy expensive food from there. I did bring at least some candy and a small water bottle; good thing they don’t search bags at the one I go to. When it was time for the movie to start, there was only about seven people in the room, which was a bit sad but at the same time I’ve got to remember that these films rarely go all the way to US theaters. Also maybe because I was at a 1:50pm screening as well? Probably there would be more people at the later ones.

Here’s a playlist of the music from the film.

Here is a synopsis from MAL.net:

Mitsuha Miyamizu, a high school girl, yearns to live the life of a boy in the bustling city of Tokyo—a dream that stands in stark contrast to her present life in the countryside. Meanwhile in the city, Taki Tachibana lives a busy life as a high school student while juggling his part-time job and hopes for a future in architecture.

One day, Mitsuha awakens in a room that is not her own and suddenly finds herself living the dream life in Tokyo—but in Taki’s body! Elsewhere, Taki finds himself living Mitsuha’s life in the humble countryside. In pursuit of an answer to this strange phenomenon, they begin to search for one another.

Kimi no Na wa. revolves around Mitsuha and Taki’s actions, which begin to have a dramatic impact on each other’s lives, weaving them into a fabric held together by fate and circumstance.

This synopsis does a decent job describing the movie in a very general manner, as it should. Good thing it doesn’t really spoil much, something I hate very much. Watching a movie beyond the synopsis always feels like jumping through a painting; it’s much more deeper than what you see on the outside.

I thought this movie was fantastic; the art was breathtaking, the music was simple yet effective for the scenes they played for, and the story made my eyes widen when things started turning for the worst. The scene that got to me the most was when Taki and Mitsuha were on the mountaintop together, but at first could not see one another, they could only hear each other. It was only when passing right by one another in that space that could sense each other through their red string of fate. Twilight came and for that short moment, bridged the gap between time and space. They could see one another, talk face to face, and hold each others hands. It was that moment where they were writing their names on each other’s hands that almost made me tear up. The abruptness of Mitsuha’s disappearance with the drop of the pen, and Taki’s fading memories made me feel for them.

After the movie I began to think about the paradox theory and how it applies in the situation in the movie. It’s not so clear cut like how movies like Back to the Future shows or deals with paradoxes. For the first half with Taki and Mitsuha randomly switching bodies, there didn’t seem to be no rhyme or reason for it. Or course at the time, we assume that distance is the only thing separating them. It’s not until later that we learn that the events that destroyed Itomori happened three years ago. Because Taki now knows of the comet strike, his hope to change the past will depend on connecting back to Mitsuha. Recalling that she had a family shrine outside of Itomori on a mountaintop crater, he heads to there in hopes that going to it will help him reconnect with her one more time. By drinking the kuchikamizake that she made (and falling over and hitting his head), he wakes up in her body once more on the day of the comet pass by. Taki knows he has a chance to change things, to save these people of a beautiful town. His actions only initiate a evacuation, but due to time and fate resisting, things seem to be destined for what is known in the future. It’s only after the meeting between Taki and Mitsuha at twilight that gives them a fighting chance to truly save the people of Itomori. Once we learn that there are no casualties and that history has changed, we witness their memories of each other fade. Maybe this is how the paradox is handled, similar to how people can disappear if certain events happen in the past. While time may have degraded their memories of each other during those events, it did not destroy the connection they still share, as seen in the ending of the movie.

I stayed throughout the entire movie, even the end credits listening to the music play. Most people left during this time, except for me and one other hoping to see if there was any post credit scene. There wasn’t any but it was best that I knew that I saw all there was to see before I left the theater.

During the movie, there were a couple of times where I heard crying from a nearby movie watcher. I tend to be the kind of person who can never be sure whether or not the emotion coming from someone else is real or not. I’m not saying that this movie is not sad, nor do I think that the times she cried was fake in any kind of manner. I’m just being overly cautious of others’ reactions because I get influenced by others opinions, especially about shows I watch.

While I thought this movie was great in its own right, I don’t think of it as a masterpiece unfortunately. I would rate it a 8.5 out of 10. For me, what would add to the film is if it had more time to flesh some things out. I would have liked to learn more about the phenomenon that gave Taki and Mitsuha the opportunity they had to be together. It sort of reminds me of the movie Interstellar, where love helped the main character transcend time and space to send a message that ultimately saved the human race. I know that the topic was touched on by Mitsuha’s grandmother that it was a family thing, but was that only it? I guess the strings that invisibly trail us is our answer to all in the film. As for the ending, I think it ended well with them finally finding one another again then cutting there. As part of the audience, we can presume a regular life awaits them which doesn’t need to be shown. Leave it to the imagination.

Winter Anime Season 2017 – Review April 10, 2017

Posted by coolmikeol in Seasonal Anime Reviews.
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This anime season was one of the weaker ones I’ve probably watched. Minus Gundam Orphans, I initially started watching a few of the several shows airing, only adding Masamune-kun no Revenge and Seiren mid season to the list. I also had a lot of things going on IRL that kept me from watching consistently each episode every week as I usually do. If you want to see a full list of what animes I’ve watched, you can always check out My Anime List. Here is a list of animes that I watched from this season:

Demi-chan wa Kataritai

Gabriel DropOut

Kobayashi-san Chi no Maid Dragon

Masamune-kun no Revenge

Mobile Suit Gundam: Iron-Blooded Orphans 2nd Season


Remember, these reviews assume that you have watched the series, which means SPOILERS will be few but imminent. You have been warned.

Demi-chan wa Kataritai

From a first glance, this anime doesn’t seem to be anything too special besides the “Monster Girls” aspect. However, instead of the “monster” being the main focus, the anime explores the themes of understanding and inclusion of different people into a normal modern society.

The main character Takahashi-sensei is a biology high school teacher who has an interest in studying and understanding demi-humans. Luckily for him, there are three students and a teacher who are different demis. Through certain events, he finds himself helping the Demis by helping them understand their own nature though science and logic, and in turn gets to interview them for information that sometimes breaks stereotypes of their kinds. In short, he lowers the wall that may keep normal humans and demi-humans from interacting normally, possibly from assumptions made based on fear or rumors.

I like how this anime stayed on focus with this theme, as well as keeping a light atmosphere even when dealing with sometimes sensitive issues. A lot of what is discussed in this show regarding the differences in people and how they should be seen by others can be used in real life. In essence, don’t judge a person based on rumors or stereotypes, try and get to know them personally and understand who and where they’re coming from. Your opinions about them can come after, but only after you attempted to have some dialogue.


Gabriel DropOut

This anime was my typical “slice-of-life school comedy” of the season. The show is basically about the life of an angel named Gabriel who has transferred to an Earth High School as part of her angel training. Originally a textbook example of a perfect angel, during her early days on Earth she discovered video games which quickly took over her life. She became a “fallen angel” of sorts, now being a stereotypical hikikomori. With her at the Earth school is Vignette, a very responsible and nice person, contrary to her actual role as a demon; Raphiel, a fellow angel who tends to enjoy teasing her friends, especially Satania, self-proclaimed future ruler of the underworld who tends to run into back luck with her schemes as a demon.

It was an alright series, entertaining in it’s own right about how modern day angels and demons would interact with each other and the world between them. One thing I’d like to mention, I noticed a reoccurring theme going on with some its dialogue scenes, using just a character head in a bubble while they’re talking off screen. While that’s nothing new in anime shows, the abundance of its use here made it stand out to me. Whether or not it was to save on the animation budget, or if it was actually following how the original material looked (I’ve only seen the anime), I don’t know. It may sound like I’m saying this was a negative aspect, but I don’t think that way. The humor was enjoyable, and the characters were unique in their own ways. Not a standout anime, but at least one that I don’t fall asleep to.


Kobayashi-san Chi no Maid Dragon

Another KyoAni classic, Miss Kobayashi’s Dragon Maid may sound like a comedy fan-service anime, but it’s actually much more than that. First thing that came to mind when I first saw this series, was Lucky Star, because of how Kobayashi resembled the character design from that show, at least in my opinion. I’ll leave a synopsis from MAL that will do better justice than I can write up at this point:

As Kobayashi sets off for another day at work, she opens her apartment door only to be met by an unusually frightening sight—the head of a dragon, staring at her from across the balcony. The dragon immediately transforms into a cute, busty, and energetic young girl dressed in a maid outfit, introducing herself as Tooru.

It turns out that the stoic programmer had come across the dragon the previous night on a drunken excursion to the mountains, and since the mythical beast had nowhere else to go, she had offered the creature a place to stay in her home. Thus, Tooru had arrived to cash in on the offer, ready to repay her savior’s kindness by working as her personal maidservant. Though deeply regretful of her words and hesitant to follow through on her promise, a mix of guilt and Tooru’s incredible dragon abilities convinces Kobayashi to take the girl in.

Despite being extremely efficient at her job, the maid’s unorthodox methods of housekeeping often end up horrifying Kobayashi and at times bring more trouble than help. Furthermore, the circumstances behind the dragon’s arrival on Earth seem to be much more complicated than at first glance, as Tooru bears some heavy emotions and painful memories. To top it all off, Tooru’s presence ends up attracting several other mythical beings to her new home, bringing in a host of eccentric personalities. Although Kobayashi makes her best effort to handle the crazy situation that she has found herself in, nothing has prepared her for this new life with a dragon maid.

What I liked about the series, besides the obvious adorableness of Kanna, and the awkward naiveté that is Elma, was the interactions between Tooru and Kobayashi. Focusing on the main internal conflict Tooru has with herself about humans and the world she comes from, you can see that she has had a hard life. Whether it coming from her upbringing from her parents, to the constant human raids attacking her when resting, or the wars between the dragon factions, she has been fighting for a long time during which materialized and cemented her hatred for humans. Only on the verge of death did she find one human who would not only listen to her, but save her life as well. You could say that Kobayashi was totally drunk, which seemed to be the case, but even after meeting Tooru and listening to her stories about her past, she still listens, understands, and accepts her for who she is despite her differences. They are both able to live together, even if the laws of the universe are against it. Tooru learns to treasure those special fleeting moments, rather than having doubts about the future, because they may be more valuable than a lifetime of memories.


Masamune-kun no Revenge

I started watching this anime a bit late in the season, as it did not have my initial interest at the beginning. I eventually decided to watch it because of video clips I saw on social media. This anime is about a guy who was rejected by a girl when he was younger. During his young days, he was fat and a bit snobby, gaining the nickname “Pig’s Foot”. Due to this, he decided to change himself by working out into a handsome young man, to shed his former image. Upon entering high school, he finds himself in the presence of the girl that rejected him all those years ago. This time though, he plans to get revenge on her; by dumping her as bad as she did to him. However for this plan to work, he has to make her fall for him. This is where the story starts and gets interesting, sort of.

The anime for the most part was alright, getting a laugh or two every time a part of Makabe’s plans fall though. But that was more of less the bulk of the anime, the tug of war between progress with his plan, and her tsundereness kicking him away when he makes a critical mistake. What I didn’t like was the wrench in all of this, Gasou Kanetsugu, the proclaimed Masamune of Adagaki Aki’s past. I knew that he was going to play some sort of role towards the second half, due to him appearing in the opening sequence looking against Makabe, though at the time not sure how. I at first thought that he was a younger middle school version of Makabe, staring back at him as a reflection of some sort. First off, Kanetsugu doesn’t seem to be a mean person at all. He’s nice to everyone, including Makabe, and even volunteers himself to help Makabe’s class when he did the same for his. He seems to be playing the Masamune role under someone else’s instructions, possibly for financial reasons as he would be marrying into Adagaki’s rich family. He’s not unlikable, but because he’s tricking Adagaki he’s framed in that negative way to the audience.

Overall, the ending of this season ended with a number of questions, as well as a hint of a future season. I do hope that more of the story of the past can connect with the present, because we are still more or less running with the basic facts of girl dumped boy, boy seeks revenge by doing the same to her, an eye for an eye. There must be more than meets the eye, more facts to the story that can explain everyone’s actions both then and now. I will look forward to a new season if it can clarify and progress its plot line.


Mobile Suit Gundam: Iron-Blooded Orphans 2nd Season

Gundam Orphans is finally over, a what a roller coaster it has been. Spanning two seasons with 25 episodes each, I felt that we went a full circle in terms of the story. Struggling at the beginning to create a name for themselves, to the edge of glory at the end of the first season/start of second season, to the fall and destruction of Tekkadan, I feel more or less satisfied with the ending, even if it was bittersweet. At least it wasn’t predictable or cliche like them getting all the way to the top, as they were always the underdogs who just got by. Their luck wasn’t always going to hold, especially with their small group size and resources against Gjallarhorn, a full military might that spans multiple regions of the solar system.

As for the second season’s main plot dilemma, it was McGillis Fareed versus Rustal Elion for who should rule Gjallarhorn in their own way. Because McGillis allied himself with Tekkadan and vice versa, we more or less viewed Rustal as the bad guy of the show as he was the one who always tried to plot their demise. As Rustal was the cold and calculating type, it was easily assumed that he had larger ambitions for ruling Gjallarhorn than McGillis, who proclaimed that he would destroy the corruption that had grew within it since its beginnings. However, when McGillis sought power from the original founder of Gjallarhorn, Agnika Kaieru’s Gundam Bael, things wern’t so clear as to who was right and wrong anymore. McGillis’s grab for power from a relic of the Calamity War was seen as nothing more than a coup d’etat for greedy reasons. Tekkadan’s decision to pair up with McGillis did not happen easily, nor did it seem likely that at that point that things would end well for them in the end, seeing as what happened to the Turbines who were destroyed by Rustal’s Arianrhod Fleet prior to McGillis obtaining Bael. As the end grew closer in this season, the odds were becoming more and more stacked against Tekkadan and McGillis, to a point where winning a battle against Rustal was out of the question. Surviving was all they could try to do, reminding us of Tekkadan’s beginnings of being human debris. Slowly the footprints left behind by McGillis and Tekkadan were wiped out under the rule of destroying out of control elements.

With their total destruction, things moved forward in a way that was quite unexpected; Rustal became the leader of Gjallarhorn, reforming it into a more democratic organization than one that was once ruled by the Seven Stars families. He downsized the Gjallarhorn Mars branch giving the people there the independence they always wanted, and finally worked together with the Martian Union to create the Human Debris Abolishment Treaty in order to prevent further exploitation of children as soldiers. He also meets with now Chairwoman Kudelia Aina Bernstein and promises to support her endeavors. In the end, everything is settled in the way mostly everyone wanted by one man, a man that was the antagonist for the entire series that won a decisive victory over the protagonists, as ironic as it seems.

When you think about it, there may have been a way that this all could of happened without the loss of McGillis and Tekkadan. Each side wanted more or less the same thing in the end, but what differed was their methods, both seemingly extreme. The main difference that separated Rustal and McGillis/Tekkadan was that the rebel duo were both people who were treated as disposable individuals; Long ago McGillis was a kid on the streets who learned the hard way that power was the only way he could survive, and once adopted into the Fareed family, learned of Agnika Kaieru and the power he possessed. From then on his goal has always been to become the ruler of Gjallarhorn and finally have the power he always craved. Tekkadan, being an organization consisting mostly of kids without a home, their goal was loosely to find a place for themselves without having to fight anymore, to live a life they feel they deserve. While they may have gotten lost along the way a few times, their end lead to their future, not just for them but for the future kids that would be saved from becoming human debris. While not much is known about Rustal Elion’s past, his actions seemed to be shrouded in vagueness as he always took the opposite stance against out protagonists, basically looking like a villain. Because of this it was automatically assumed that he wanted power for his own reasons. However, seeing what he does during the epilogue conflicts with the feelings I had (or probably most of us did). Whether or not there was a chance for any type of dialogue between the two without it blowing up, I’m not sure, but it was their means that created the war, not the shared end everyone wanted.

I enjoyed this series from start to end. It was my first Gundam series that I watched. I liked that this series is independent from the other Gundam series, so that I didn’t really need to know history or terminology of the series to understand and enjoy. It definitely didn’t feel like 50 episodes, and that’s a good thing as there wasn’t much fillers for the story. Interesting how the “bad” guy won, but at the same time things end on a high note with no loose ends. I’d probably like to try watching future Gundam series, but probably ones that are independent from its parent story like how Gundam Orphans was.



Synopsis via MAL:

“Shoichi Kamita is an ordinary high school boy, who is faced with the university entrance exam and worried about his future. This campus romantic comedy, “Seiren”, which means honest in Japanese, depicts his pure relationship with three different heroines. Each story is the unique and mutual memory between him and the heroine.”

This series was a nice casual watch about anime romance. Out of the three heroines, I thought Kyouko Touno’s was the cutest and sweetest, though Hikari Tsuneki was the most complex, and I like how she was still somewhat involved in the other characters’ routes.